My main intention was to form a gallery which is minimal in design yet remains a building that is exceptionally functional and effective as a space for both the gallery owner and the Newtown Public. My gallery an inviting open and flowing space which acts as a large scale transition volume from Newtown’s main street; king street in and through the two major gallery spaces out to the simple courtyard. Mies Van Der Rohe’s theory of less is more can be seen throughout the design and planning of the Circle and Square Art Gallery.
Before entering the Gallery space, the viewer is faced with the large glass façade which instantly introduces the artwork to the public. The sculptures present along the path to the gallery entrance works as another form of enticement. Immediately we are presented with a gallery where the external walls are slightly offset. The building becomes a work of art within itself and plays as a representation of the abstract artwork being displayed and sold.
After completing my second conceptual design there were several design elements which were lacking in function, practicality and efficiency. These included the courtyard plan, the location of the gallery entrance, the glass roof panels and the large sculpture at the front of the site. My third and final conceptual design addressed and resolved, each of these issues allowing the functionality and plan effectiveness to be increased.
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